Webinar – Power Management for Audio/Video Systems – September 4, 2014

On Thursday September 4, Herman AV is sponsoring an on-line webinar presented by SurgeX, a manufacturer of power protection equipment. Specialist Lauren Simmen of SurgeX will discuss the different ways of providing power protection, surge suppression vs. surge elimination, UPS devices, common-mode noise and other power anomalies. Since not everyone and every location has the same problems, this webinar will help you decide what’s the most effective solution for your particular setup.

I’ve found these Herman webinars to be well presented and quite useful if you’re interested in the topic.

Pre-registration is required, and it doesn’t seem to be more harmful to your personal privacy than getting announcements by e-mail of upcoming webinars.

Click here to go to the registration web page.

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Prism Sound Lyra 1 Review Posted

As an individual reviewer (as opposed to a magazine or big web site) I rarely get the opportunity to get my hands on a really top tier product. Having had some experience with Prism’s high quality A/D converters, I’ve been bugging them for over a year to get one of their USB interfaces for a review. Being a smaller company, Prism don’t have a large number of units to pass out to reviewers (the big boys get them first) but they finally came up with one for me.

The Lyra is quite a bit more expensive than the usual fare here, but the quality was apparent from first listen and it held up through use for the fairly short period that I had it. Even if you can’t afford it, you’ll find it educational to read the review.

Visit the Product Reviews section or, if you can’t wait, jump directly to the Lyra 1 review here.

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137th AES Convention Los Angeles – Registration Open Now

The AES is gearing up for the 137th convention, returning this year to the Los Angeles Convention Center, October 9-12, 2014. Top professionals from the Professional Recording, Production, AV and Communications industries will descend upon the Convention Center for three days of exhibits and four days of workshops, technical papers and program content tailored to the current audio and communications landscape.

Registration is free for exhibits and some workshops, including the Project Studio Expo with two days of workshops presented by industry professionals. There’s a pretty hefty fee for attending the full program including technical sessions (papers and panels), but students with ID can get a one-day all-access pass for $69.

AES Members should already have received the show information. For free non-member exhibits and Project Studio Expo registration, click HERE.

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Moog Foundatin Raffle to support Dr. Bob’s SoundSchool

Dr. Bob’s SoundSchool is a 10-week elementary school curriculum to teach children the science of sound through music. It’s presently being taught in schools in and around Ashville, North Carolina, but they’re looking to expand it in the coming years. To raise money for this project, the Moog Foundation is holding a raffle. Tickets are $50, and you could win:

Oh, or you could also win one of the grand prizes, a 2014 Subaru Outback station wagon or BRZ coupe (which you could sell for enough to put together a classic Moog modular synthesizer setup.

Tickets can be purchased now through September 5 2014 by visiting the Bob Moog Foundation’s online store.

Support a good educational cause.

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CE Week Line Show – Updated 6/30/2014

I spent a few hours this week browsing the CE Week Line Show in New York. This is a small show with a handful of the big companies in consumer electronics and a whole bunch of small ones. Nothing really directly applicable to pro audio or music production, but it’s a good excuse to get away from home for the day and get a good pastrami sandwich before catching the long haul bus back home. Lots of health and wellness apps for iOS devices, remote home control with iOS devices, Bluetooth speakers and whole-house audio, as well as a bunch of pretty silly stuff that’s very important to the developers.

One thing that might be of interest to the on-the-go recording musician or producer is the iStick, a plug-in flash drive with two connectors, the conventional USB plug and a Lightning plug. Not being a member of the iGadget class, it never dawned me that the iPhone, iPad, or iPod Touch didn’t have a USB port (even with the camera connection kit) that was capable of hosting an external disk drive. The LiiStickghtning port on the new new generation devices, however, can do that, so here’s a way of plugging in additional storage for your device. It’s just a little larger than a standard USB flash drive with a slider in the center to expose one connector or the other.

The obvious consumer application is filling it up with movies, a pro audio application could be to use it with a program like Auria for multitrack recording sessions. It’s a Kickstarter-funded project and, kind of pricey compared to standard USB flash drives, ranging from $80 for 8 GB up to $300 for 128 GB. I expect some of that is for the mechanical design and assembly with the slider (I’m sure there’s a good reason why they didn’t just put one connector on each end and mold them in place), and there’s probably a license fee for the Lightning connector. But if it’s really a useful product, the price surely will come down within a year or so. It should be available now. More info at the iStick web site.

I reported on the WiSA (Wireless Speaker and Audio) organization, a group hosting a new wireless technology for multi-channel audio. They were at the show again this year showing some new high grade home speakers from B&O, and they’ve picked up a few new members planning to incorporate the technology into their products. New and of interest this year is the group recently under the Gibson umbrella including Gibson (guitars), TEAC, and Onkyo. We talked some about hooking up a pro audio company to apply the technology to stage and studio wireless headphones and I suggested PreSonus, since they’re already big on wireless remote control of their digital mixing consoles and active loudspeakers. Keep up with them at the WiSA web site.

In the world of silly stuff, how about a 1990s cordless phone, brought up to date? The Brick has the look and fbrick-featureeel of an early portable phone. It’s actually a Bluetooth accessory that can connect to your modern cell phone and serve as a speaker phone or a handset with some heft that almost feels like a real phone handset that you can hold against your ear with your shoulder when you need a free hand and don’t have an earphone setup. The Brick does that, looks really cool, and, in its most basic version, isn’t very expensive. There’s a version in the works that accepts the SIM card from your modern cell phone and lets you use The Brick on your phone network. (No, I didn’t ask about locking, or which network). Meet The Brick here.

Lots of pulse rate monitors for those who want to keep up with your exercise regimen, and a sensor that you place on a muscle and get a report of the strength, fat content, and a few other things you thought you’d never need to know. And by golly, a collar for your dog that measures vital signs and reports things like body temperature, calories burned, heart and respiratory rate, all to let you know how your dog is really feeling.

[Added 6/30] -

With all the recent commotion about high resolution audio, I was expecting to see some high grade file and media players at the show, but surprisingly, there was only one, the Sony HAP-S1, two if you consider its close cousin the HAP-Z1ES on the same table. As is becoming more typical of trade shows, Sony had no literature on this product at their booth, and when I got home, while I could remember most of the important features and details of the unit, for the life of me I couldn’t remember the model number (they said “just go to our web site for all the info”) so it took me a little time to locate it.

The HAP-S1 is a tabletop unit that’s capable of playing nearly every audio file format available today including DSD formats. OGG was the only one I’m aware of that’s missing, but you can’t have everything. There’s a 40 watt per channel power amplifier as well as a hefty headphone amplifier, and it plays files off of an internal 500 GB hard drive which can be expanded by connecting an external drive to the USB port on the rear. I asked why, for a thousand bucks, they didn’t include at least a 1 TB drive, and the only answer they could come up with was that they designed the unit three years ago when half a terabyte was a big drive.

The hard drive is important, because, while there’s computer connectivity via an Ethernet port and built-in WiFi, those only serve to transfer files from the computer to the player. Although it includes the vTuner streaming player which covers a wide range of streaming Internet radio stations, you can’t use your computer’s web browser to find on-line music and pipe it into the HAP to take advantage of its high quality D/A converter. The USB port serves only for connecting an external disk drive, and it’s worth noting that it doesn’t use the standard FAT32 disk format. Connecting a virgin drive to the USB port brings up a prompt telling you that it isn’t formatted for the device, and inviting you to do so. If this was a review rather than a report, I’d rant and rave about that. If you have an audio interface for your computer that has a S/PDIF coax or optical output, the HAP-S1 has connectivity for it, so that’s a route getting what’s in your computer out through what reports to be a very good sounding D/A converter. There’s also two pairs of analog inputs on RCA jacks for your turntable, tape deck, or other analog source. The HAP-Z1ES, for an extra grand, leaves off the power amplifier, headphone output, analog and S/PDIF digital inputs, but includes a 1 TB hard drive and a DSD up-sampler to convert your files to DSD (which doesn’t really improve anything). Both models include an “enhancer” that claims to restore some of the high frequency detail lost in the MP3 data reduction process. More info on the Sony High Res Web Page.

One great feature of this show, and I wish all the trade shows I attend would adopt it, is that they periodically bring out free snacks during the afternoon so we don’t have to survive on booth candy. It’s a bit ironic that, with all of these health and wellness monitoring gadgets on display, at around 2 o’clock, out came the hot dog cart. They were good hot dogs, though.

I’m skipping the Summer NAMM show, so the next stop will the AES show in Los Angeles in October.

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Free UltraChannel Plug-in From Eventide

Until July 8, Eventide is giving a free license for their UltraChannel plug-in. This is a new plug-in that offers delays, compression, gating, 5-band parametric EQ, micro pitch shift, and transformer saturation emulation. It’s for Windows and Mac OS, VST and AAX format, plus AU for the Mac, and it runs in 32- or 64-bit data format. This is a $249 plug-in that they’re giving away for a limited time to introduce the rest of the world to plug-ins from one of the major hardware processor manufacturers.  Full info on the plug-in, a couple of videos, and instructions for downloading and authorizing it is at the Eventide UltraChannel web page. Use Access Code 063DD4DC (there are others floating around the web now, any one will do)

You need to jump through a few hoops in order to get it, so be prepared. You don’t need an iLok key to authorize the program, but they send you the license key through the iLok License Manager, so if you don’t already use an iLok, you’ll need to download and install the License Manager first. The license, once sent to your iLok account, can be either stored on your computer (there are two authorizations) or stored on an iLok key for portability. You’ll need an iLok log-in user name and password in order to complete the form to get the plug-in. And when you fill out the form to get the plug-in, don’t beat yourself up looking for an iLok account number to type into the form. What it wants in the “iLok.com Account” box is the user name for your iLok account (so don’t forget it – you’ll need to access your account via the Manager to get your license).

There are a lot of tools in this plug-in. I just got a copy today, and I’m not a big plug-in user so I can’t say much about it at this point other than that it’s been praised by a couple of heavy users that I know personally. And if you don’t find it useful, all you”ve done is lost a little time.

Remember – you don’t need an iLok key to use this plug-in. The license can be stored on up to two computers, and can be moved around when you get a new computer. You do need an iLok account and to have the License Manager installed on your computer, however. That’s free, of course.


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Address Correction for Andrew Scheps Master Class

The press release dropped a digit in the address for Village Recorders where this June 12 class is being held. The correct address is:

1616 Butler Ave, Los Angeles, CA 90025

Same time, same station, same program.

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